The Filth and the Fury - A Sex Pistols Film

...to pull out all my old Pistols LPs and remember how fun they are to listen to.

This movie almost seemed to zip by too fast, but then, so did the Sex Pistols. Come to think of it, the last 20 years (when I first started listening to them in junior high and chopped my hair off into a spike) also zipped by pretty fast...they put all the best songs, the best performances in here, along with some rare footage.

Sex Pistols fans may have already seen the interview with a nodded-out Sid Vicious and sleazy girlfriend Nancy Spungen (who makes Courtney Love on one of her bad days look like Grace Kelly in comparison) trying to wake him up for the camera as he snores ("Sid, wake up...they're tryin' ta interview ya..."). But what no fans may not have seen is a short, heartbreaking clip of an interview with Vicious after he is out on bail after being arrested for her murder. When the interviewer thoughtlessly asks him if he's 'having fun right now' (what was that reporter thinking? the kid looks completely miserable), Vicious just chuckles bitterly and asks him, "Are you kidding? No, I'm not having any fun, at all." When the interviewer asks him where he wishes he was right now, Vicious' quiet, calm answer to the question is so chilling and heartfelt that it made every hair on my body stand on end. In a scene shortly after, John Lydon talks about Sid getting his aforementioned wish, and for a minute you think that in the voice over he is laughing, because as a rule you don't see John Lydon displaying any other emotion other than general crankiness. Then you suddenly, shockingly realize he's actually in genuine tears over his dead boyhood friend.

But you can also see the fun the Sex Pistols had while it lasted-especially memorable during a retelling of how they played a children's party (still not sure what the story behind this was, or what the people who organized it were thinking, but it was a stroke of genius), with footage of them covered in cake after they start a food fight, to one of the Pistol's best songs (in my opinion), "Bodies". What struck me is how the Sex Pistols (who, at the time, were not far out of their teens themselves) look and act about the same age as the kids at the party. They are obviously having just as much fun as the kids, too- they try to look like tough punk rockers but can't wipe the smiles off their faces as they joyfully have a ball.

The soundtrack, timing, and editing are all perfect. "Submission", another of my favorite songs (and in my opinion, one of their more underrated ones) is played over the credits, and it fits perfectly. As I said, my one complaint that was it zipped by too fast, but talking with my husband after the movie, so did the Sex Pistols. One of the better rock documentaries I've seen. A must see for Sex Pistols fans.

While the Filth and Fury doesn't necessarily present any new or shocking information to the average Sex Pistols fan it does succeed in framing the band in its proper context. For that, I give this film five stars.

It's sometimes easy to dismiss what we read and hear second-hand as hyperbole or exaggeration. Certainly the mythology surrounding The Sex Pistols is fantastic at times, but it's nothing compared to what really happened. Picture Parliament council members, television show hosts, parents and adults of every ilk saying, and more importantly *believing*, The Sex Pistols posed a bigger threat to the youth than Russian Communism. Wow. Kind of makes those conservative Christians who protest Marilyn Manson seem tame in comparison. I think this is the root cause of the film's success -- not so much the history of The Sex Pistols themselves, but the people all around them cheering for them or demanding their arrest. That's where this film finds its fresh angle on the band in my opinion.

Also particularly poignant are the present-day interviews with the band members hidden in shadows. At random points they express regret and unabashed guilt that they couldn't make it happen in the long-run. Perhaps, this partially explains the reunion a couple of years ago (in addition to the filthy lucre). Johnny Rotten and Steve Jones provide the best and most-moving interviews. The former for his guilt over not being able to do more to help Sid Vicious and the latter for his brutally honest statement on why he started a band.

Lastly, I liked this film because it will hopefully dispel the notion that Sid Vicious and his lefestyle were cool. Sorry, but when you're a junky standing trial for murdering your girlfriend and the one thing you want most is to die that doesn't equal cool in my opinion. It's a tragedy.

Huge kudos to Julien Temple for making an engaging, enlightening and vastly entertaining documentary on one of rock history's most notorious bands.

In a day and age awash with formulaic drivel from boy bands, Britney, Madonna, Kid Rock, etc., this film is a breath of pure fresh rock n roll air. A must for any devotee of the band. The movie contains incredible live performance footage and fascinating interviews with the surviving members of the band. John Lydon emerges as an erudite, sensitive, creative, and deep thinking punk rock pioneer, but above all a sincerely motivated social critic. Sid Vicious and Nancy Spungen in the flesh here have the effect of rendering the Alex Cox's "Sid and Nancy" obsolete. What this documentary primarliy impressed upon me me was the strong political streak that runs through the Sex Pistol's work. And on top of it all, it ROCKS.

This documentary of the Sex Pistols give you a good idea of who these guys are , where they came from , and what they were all about. Many clips from British television , animation and pictures and film footage of the Sex Pistols are used here to tell the story of the birth , rise , and crucifixion of the most notorious rock band in music history. Along with great commentaries by the surviving band members. All of them always , seperately , in silhouette during their commentaries.

You come away with a deeper understanding of the Sex Pistols after watching this DVD. There are insights given here that some fans may not have known about. People saw the band fall apart but this film shows HOW they fell apart and why. They were a band who came out of the dulldrams of British life during the 70's and rose to fame during the birth of punk but in the end of their career may have been exploited as controversial freaks and not a serious band. The band sensed it and broke up. Appropriately , the last song played at their final concert was called "No Fun".

You see the punk rock scene in 1970's England , you see the Bill Grundy interview that gave birth to the bands notorious reputation. And you get Jones' and Rotten's take on the Grundy interview as the clip played. You see the band singing "No Fun" at their last concert in San Francisco and expressing their feelings and insight toward their demise and their regrets through voice overs during the concert clip. You see the demise of Sid Vicious , the sad picture painted of him and Nancy Spurgen , and you see the chilling interview of Sid that showed the unstable state of mind he was in during his pending trial of Nancy's murder. Johnny Rotten , emotionally , expresses his regrets for not helping Sid more and not preventing his death in some way. It is surprising to hear the emotion from Rotten because he is a guy who you never see express sadness and show tears. Its a rare and real moment captured on tape.

As the film goes along you become more captivated by this unique documentary. It captivates you as it goes along because its very insightful to the feelings of the band members and their manager Malcolm and they're all very giving with their insights and feelings. This is a revealing documentary in its abstract approach to telling the story of the Sex Pistols.


The DVD comes with the widescreen version , feature length commentary by director Julien Temple , a documentary on the punk movement , trailer , and DVD-ROM links to the original theatrical website. This is a must have for Sex Pistol and punk rock fanatics.

The Filth and The Fury is an exemplary film about an significant period in British history - the late 1970's. It should be shown in every high school history class. Director Julien Temple gets another crack at the Sex Pistols as his subject after 1980's "The Great Rock n' Roll Swindle", but with a new twist - humanity.

This is a humourous and touching film - especially when Rotten comes to tears while speaking of Sid's demise. Who would have thought that the closest bond in the band would be between Rotten and Vicious. The narration was by each band member in silhouette - clearly illustrating their feeling that they had all been rape victims. The "rapist" himself, manager Malcolm McLaren is represented by a respiring black rubber mask - the bondage that restricted the band. Juxtaposed throughout are scenes from British comedy shows from which Rotten amassed his wide range of spectacular facial expressions, and scenes from Richard The III, in which Laurence Olivier spouts lines perfectly coinciding with the Pistols' own story. After all, they had an exceptional sense of theatrics.

Though they were hygienically and linguistically foul, the racket the Pistols made was pristine and clear in its intent. Though the lyrics were snide and bleak, they were a mad celebration of youth and rebellion. The music was actually quite melodic and uplifting, probably due to bassist Glen Matlock's love of the Beatles. The chorus of "No Future" was a glorious anti-national anthem, sung with exuberance and joy despite the fact that the message was a pessimistic one. The dirge-like "We Shall Overcome" was sung by Martin Luther King's followers with poignant sadness, yet the Pistols' "No Future" was chanted in pure hopeless reverie - against the monarchy, against youth repression, against discrimination, and against disco. Watching people in flares trodding through all the trash in London's streets during the garbage strike, Rotten saw they were clearly missing the point; "Wear the garbage bag!" The Pistols' punk fashion; ripped and pinned clothing was actually created out of poverty.

Whether floating down the Thames on a barge playing "God Save The Queen" on the day of the queen's Silver Jubilee or performing for missile-tossing rednecks in Texas, the Pistols remained resilient and allegiant to their kamikaze mission All the energy put into banning them both in the UK and the US forcing them to play under assumed names caused more of a sensation than the harmless Pistols would have ever caused on their own.

The live concert footage (overdubbed with studio tracks) is remarkable, especially a charity party the band played at for children of firemen who had lost their jobs. Rotten proclaims it one of the best times he had, being lovingly covered in cream pies by very young children as he sang, "Mommy, I'm not an animal"! Quite touching.

The band's moniker was conceived by McLaren to depict A Clockwork Orange sort of maniacal youth gang; a pack of sexy guys brandishing weapons, but the Pistols were actually too charmingly laughable to pull off that image. The shots of the band as cheeky kids with mischievous smiles against a soundtrack of the Pistols' dauntless anarchistic diatribes on television depicted their genuine innocence. All they really did was tell the truth, and as Rotten says, "We declared war on England without meaning to."

OK, watched the Sex Pistols documentary "The Filth and the Fury." A recent flick, it came out in 2000 and interviewed the surviving members of the Pistols, though they were but silhouettes residing in the comfort of midlife homes. It's an extraordinary documentary detailing the rise of punk and the brief life of the Sex Pistols. They played but for two years, banned, hated and vilified. The documentary ends appropriately enough during their final show with Sid Vicious in San Francisco, with Johnny Rotten sadly sneering to the audience, "Do you ever get the feeling you've been cheated?"

I suppose everyone is familiar with the legend of the Sex Pistols, and if you're not, this documentary is as good a place to start as any. What I liked about "The Filth and the Fury" was how accurately it detailed the conditions in England that gave rise to punk music and fashion. Americans love to claim everything as their own, and the Ramones have certainly carried that "punk creation" torch to their graves. But "The Filth and the Fury" slaps everyone back into reality. The Sex Pistols were the first, and that LP "Never Mind the Bullocks" echoes down through generations as crystal clear as a golden coin.

After watching this documentary and listening to their album, I am amazed how contemporary the Sex Pistols are. Much of the music that followed, The Clash, The Misfits, The Circle Jerks, even U2, feels oddly dated today, a testament of the decade of the 1980s. But place the Sex Pistols on the air, and blasting from the speakers is incredible anger and energy, as profound and timeless as "A Clockwork Orange." The music has aged well, and one never blushes when listening to it.

Watching the documentary, I was amazed how modern the members of the band looked, interviewed by 70s fashion victims adorned in wide lapels, offensive plaid and flared pants. These reporters, attempting to make sense, were as befuddled as JFK assassination reporters, trying to nurture terrified audiences. The sad fact, and one which is detailed in "The Filth and the Fury," is that the band eventually became a freak show, the music forgotten or lost by the time they wearily limped on stage in San Francisco.

The footage which haunts and terrifies, is of the Sex Pistols playing their infamous 1978 tour through the southern United States. Dallas, San Antonio, Atlanta, Memphis, long-haired crowds resembling frightened Bob Seegers. Audiences threw trash on the stage, beer bottles at Sid Vicious' face, and yet the band played on, realizing that America was a scary place......"Throw what you want at me, I'm not leaving this stage!"

Can you imagine a band like the Sex Pistols playing here today? They would get lynched. American music writers wax poetic about the Sex Pistols' cruise through Texas and the south. But we see footage of the San Antonio and Dallas shows, people standing as stark as statues, terrified of what they were witnessing. The echoes of those concerts carry through to today, profound and horrifying. For the Sex Pistols to have embarked through the southern U.S. with that incredibly blatant brand of rebellion was almost suicidal. They cut a path through a dense forest of a conservative Urban Cowboy rocker wastelands. The wake splashes today.

The Sex Pistols band died young, no doubt. They have but one album, and a lot of haunting film footage. But to watch them in this documentary during their prime, fiercely screaming "Anarchy in the UK," "God Save the Queen" and "Bodies," is to see the ultimate example of what the musical form known as rock represents. They scared the establishment. They freaked it out. Working class and brutal, the Sex Pistols were the revolution that crushed the flowers of Woodstock. There are no ballads in "The Filth and the Fury." Just a slap reverberating across generations.

This is one of the greatest rock documentaries ever made.

this film shows exactly why the sex pistols were and still are one of the scariest, yet smartest, bands to ever exist. rare film footage shows them performing for audiences that at times do not know what to do to this new music called punk, other times they begin the punk protocol of slam dancing, spitting, etc. john lydon, mr. rotten to you, is the voice most heard here, and he tells things the way they really were (does he know any other way? hell no), and his candor is refreshing: genuine passion for an art form that he helped create, and genuine disgust for the movement of punk (stating that when the rich kids started punk fashion it began to die, since punk was never a 'fashion' but a statement and a style). he also surprised me by showing real emotion for john ritchie, the bass player known to all of us as sid vicious. the perpetually strung-out, image conscious, there-for-the-ride, clueless bass player still strikes a chord in lydon's heart, and i could swear i hear a tear from lydon. the tensions within the band are also documented very well: were they malcolm mclaren's trained seals or a genuine rock band? towards the end you can tell that lydon, in film clips and recent interview, feels they were there for the delight of mclaren's ego, nothing more. 'exist to strike controversy, nothing more'. lydon is too smart for that junk, and it's fitting that the final clip of the movie is him telling a san francisco audience 'ever have the feeling you've been cheated?' after singing 'no fun' for 15 minutes, then walking off in disgust . apparently lydon did. but watching this will leave you exhilarated, making you realize that all the 'punk' bands out there now are really as dangerous as britney spears. it's all cookie-cutter now; looking at this film will make you realize that the myth and legend behind this band is the real deal.

Julien Temple and The Sex Pistol's anecdote to "Sid & Nancy."

The documentary "The Filth and the Fury" amounts to personal points of view from the band members brought forefront, with actual recorded video footage over two decades old. Johnny Rotten blasts Malcolm McClaren, Steve and Paul blast Sid's awful bass playing skills, and everyone gangs up on Glen... sounds like the Pistols to me!

The documentary is a sociocultural and historical perspective from the band members pertaining to everything from Great Britain's economic depression during the late 1970's, to individual opinions on the creative stagnation of musical creativity that plagued popular music during the period. Actual video footage acts as a band diary in revealing the complex issues each fool had to deal with.

The interview with Sid Vicious is absolutely classic, the live action sequences of filthy, underground dive shows with the audience hanging on for the ride capture the pure essence which seems to have been lost in this modern day arena rock period. The indigence scene will always be a means of new and more creative sounds and it seems as though after watching this movie, you may have missed out on something good.

The documentary is superfluously laced with ancient clips of an English version of Richard III at the beginning of the documentary, only to taper off towards the end. The documentary is full of scenes cutting and switching to events, while back-tracking to live interviews where band members are sitting in dark rooms to hide their aged faces... as more and more natural light fills their rooms, you begin to see the outlines of their faces. Of course there are other documentaries on the Sex Pistol that have live interviews with their current aged selves... there is one documentary entitled "Never Mind the Bollocks, Here's the Sex Pistols," which has an up to date interview with Malcolm McClaren and the rest of the gang.

With a background score almost entirely consisting of Pistol songs, excellent footage of riots in England, and the documentation of the band's self-destruction, right along with Nancy and Sid's self-destruction, the movie ends itself on gloomy circumstances where Mr. Rotten encourages people to see life his way.

The movie is an absolutely wonderful watch, even if you never had the chance to enjoy The Sex Pistols or punk rock for the matter.

Far superior to "The Great Rock & Roll Swindle,""The Filth and the Fury" is a well-rounded, honest look at the history and aftermath of the most influential rock band of the last quarter of the twentieth century. (Will they be making documentaries about N'Sync or Kid Rock or Eminem or Creed in 25 years? Please. I somehow doubt it.) This documentary isn't afraid to be honest, and the result is the utter humanization of a very misunderstood band. Johnny Rotten even sheds tears over the tragic waste that was his friend, Sid Vicious, and he is touching with his sentiment and candor.

This movie is always fun, and it certainly provokes nostalgia for anyone who grew up as a punk while educating those who kept their distance.

Punk may very well be quite dead, but the spirit is still alive in those who keep the faith.

I was born in 1983,so I never had any real insight on how influencial the Sex Pistols really were until I saw this film. Britan in the late 1970s was a grim place;unemployment,IRA bombs,recession,depression.These were the reasons why punk had to happen. The first truly great Pistols movie(after the disapointing Great Rock'N'Roll and Sid & Nancy).Excellent retropective interviews with the four surviving Pistols,a dazzling array of clips and concert footage and,best of all,previously unseen interview footage with the late Sid Vicious,who proves to be surprisingly articulate and intelligent.You can't help but feel touched when John Lydon sheds a tear for his deceased friend. An exhilerating,funny,tragic and insightful documentary.A must see.